I am based in South Carolina with reliable personal transportation. With over five years of classical text training and performance experience, my love of Shakespeare and heightened language has built a strong foundation of rigor, flexibility, and curiosity that I bring to every rehearsal room that I'm a part of.​ Whether its an exciting new work or a play that hasn't been staged in centuries, I'm happiest when I'm collaborating with folks on how best to tell a story. 

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Recent credits include The Taming of the Shrew (Mortal Fools Collective), The Two Gentlemen of Verona, The Tempest (Vagabond Shakespeare), a swing in the premiere of Alice (South Carolina Children's Theatre), Henry IV: Tread on Kings (Elsewhere Shakespeare), The Ides: Julius Caesar (Shakespeare & Friends), A Midsummer Night's Dream (Warehouse Theatre), and The Knight of the Burning Pestle (Sweet Tea Shakespeare).

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​Favorite roles during my time in Mary Baldwin University's Shakespeare and Performance MFA program include Macbeth in Macbeth, Alice Arden in Arden of Faversham, Lady Meanwell in the world premiere of The Frolicks, or The Lawyer Cheated, and The Hermit in The Birth of Merlin, or The Child Hath Found His Father.​